Radical History Review - call for papers on Enclosures
Martin Haggerty
martin at envoy.dircon.co.uk
Mon Nov 24 21:04:11 GMT 2008
Some subscribers to this list might wish to
consider proposing a paper for the forthcoming
issue of Radical History Review devoted to the
theme of Enclosures. Details, from
<http://chnm.gmu.edu/rhr/calls.htm>, are reproduced below.
With best wishes,
Martin Haggerty.
___________________________________________________________
The Radical History Review seeks submissions for
an issue dedicated to the theme of Enclosures:
a term that refers to the twin phenomenon of
proprietary demarcation and dispossession that
has accompanied the global transition to
industrial capitalism in cities and rural areas
alike. In a variety of geographical and
chronological contexts, this issue will explore
both the symbolic and the literal, material
senses of the historical process of enclosure.
Contemporary thinkers have evoked the concept of
enclosure in a vast variety of settings and
across the ideological spectrum, from Garrett
Hardins prescriptive discussion of the tragedy
of the commons and the neoliberal doctrine of
the inherent instability of the commons, to E. P.
Thompsons studies of the social and legal
conflicts over the peasantrys use of the commons
in early modern England. The concept of the
commons has become a generic metaphor for public
propertyacademic disciplinary knowledge and
access to the airwaves, for exampleand, by
extension, the commonweal. Likewise, the
enclosure of the commons has taken multiple
meanings that extend the idea of the fencing off
of common property in the interest of private
gain and liberal (or neoliberal) individual
property rights. As multifarious as it is, the
concept of enclosure may provide a historically
coherent way of considering disparate instances
of conflicts over subsistence rights in the face of the division of property.
This special issue offers an opportunity to take
stock of the idea of enclosureto explore the
connections between, for example, the type of
primitive accumulation for which the term was
originally applied and its more abstract,
contemporary instances, and to historicize
rigorously its application. To what degree was
there ever really a commons? How did
constructions of sacrosanct public space and its
privatization and dispossession become
naturalized features of cultural life? By
collectively publishing work on such diverse
phenomena as urban squatters throughout the
world, intellectual property, or social conflicts
over indigenous collective property rights in
colonial and post-colonial settings, the journal
editors aim to explore the limits of the
usefulness of the concept of enclosure as a
critical paradigm for understanding modern
political and social life, and to consider how to
connect its manifold manifestations.
While we would welcome submissions that revisit
the early modern European context to which the
term enclosure has typically been applied, we
strongly encourage works from any time period,
especially those that critically examine the
broad applicability of the term and those that
venture beyond the European and North American contexts.
The range of topics might include, but is not limited to, the following:
Enclosure of the commons and the genesis of informal economies
The historical roots of the privatized city
Enclosure and the politics of population control
The political and cultural uses of nostalgia for the commons
Visual culture and the process of enclosure
Environmental politics as part, or counterweight, to the process of enclosure
Transnational historical perspectives on
political and social movements such as Brazils
and Indias respective anti-dam movements, or the
struggle over the privatization of water in Bolivia
Successful assertions of communal rights, for
example in urban shantytowns and former runaway
slave communities in the Americas: have they
challenged the process of enclosure?
Artistic, cinematic, or other cultural
representations of enclosure and creative
responses to itfor instance, in Agnès Vardas
cinéma verité classic, The Gleaners and I, or
Britains punk and post-punk movements as
aesthetic responses to Thatchers sweeping politics of privatization
Enclosure and imperialism: what is the
relationship between the domestic reapportioning
of property rights and the possession of overseas
territories? How can we connect the enclosure of
the commons in the metropole to the fate of
communally owned indigenous lands and other resources under colonial rule?
The making of modern statecraft from the
perspective of the enclosers: the surveyors,
judges, and notaries who carried out the quotidian work of enclosure
The politics of public space and the exclusionary public sphere
Enclosure of the scientific commons and the commodification of knowledge
The human genome as private property and the ownership of self
The intellectual commons and radical approaches
to intellectual and academic life
Innovative uses of the cartographic and judicial
records that enclosure left behind
Critical reassessments of the classic works on
enclosure, particularly E. P. Thompson and his
cohort of Warwick School historians of
eighteenth- and nineteenth-century English agrarian society.
The RHR seeks scholarly research articles as well
as such non-traditional contributions as photo
essays, film and book review essays, interviews,
brief interventions, conversations between
scholars and/or activists, teaching notes and
annotated course syllabi, and research notes.
Procedures for submission of articles:
By February 1, 2009, please submit a 1-2 page
abstract summarizing the article you wish to
include in this issue as an attachment to
rhr at igc.org with Issue 108 abstract submission
in the subject line. By March 1, 2009, authors
will be notified whether they should submit a
full version of their article for peer review.
The due date for completed drafts of articles is
August 1, 2009. Those articles selected for
publication after the peer review process will be
included in issue 108 of the Radical History
Review, scheduled to appear in Fall 2010.
Articles should be submitted electronically with
Issue 108 submission in the subject line. For
artwork, please send images as high resolution
digital files (each image as a separate file).
Abstract Submission Deadline: February 1, 2009
Email: <mailto:rhr at igc.org>rhr at igc.org
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